Metamorfollow-G Jammin at the 12 bar club
Tony Rémy is one of the worlds most exciting guitar players of any genre. His hard edged rhythmically driven approach is enriched with jazz intuition and a bluesy soul. - KEVEN LE GENDRE. JAZZWISE MAGAZINE
Tony Rémy - Metamorfollow-G Reviews "immediately communicative - with Rémy once again in an earthy groove, mixing a muscular beat with soulful improvising - John Watson
Rémy's superbly tasty guitar is all over the album - AW, Straight no Chaser
this is a CD with class oozing from every pit and pore of it's surface…a good, solid Jazz album. - Hi-Fi World
Rémy abseils happily from George Benson smoothness to Hendrix incandescence with style, grace and relish. If brats start bragging about their axe heroes, shut 'em up with this. - Stuff for Men Magazine
As always, he speaks eloquently and elegantly with the guitar - Mike Bradley, The Times Metro
	Metamorfollow-G Jammin at the 12 bar club
Live on stage, his relentless invention, soulful touch and incredible energy has gained him worldwide recognition and respect. - CHRIS PARKER. THE TIMES
Of the albums 70-plus minutes, more than an hour is devoted to Rémy’s inexhaustibly inventive guitar, from blisteringly eloquent 12-bar blues to fierce, punchy funk, bringing to mind not only rock icons such as Hendrix but also later, jazzier players such as Mike Stern and John Schofield. - Chris Parker, The Times
A tremendously versatile player, his style encompasses both the muscularity of Mike Stern and the finely-boned finesse of Phil Upchurch - Kevin Le Gendre, Jazzwise Magazine
Rémy, as we all know, is a superb guitarist. One of Britain’s best. The idea of this album, recorded at a hole in the wall in an alley off Denmark Street, decorated to look like what was au naturel in the ‘50s, was to really get back to basics - Jazz Express
This is original, atmospheric, exciting, passionate, contemporary and usefully keyboard-free electric bluesy jazz. - Roger Thomas, Gramaphone
This is the Tony Rémy that I want to hear: greasy and gritty, with none of the edges smoothed down. The songs are sweaty, lengthy blues jams with our man showing that he can stretch out like a true MF. - Kevin Le Gendre, Echoes
Tony Rémy has just released a new CD showing just how much all-round guitar blowing he’s really capable of. - JF, The Guardian, Guide
At last a chance to hear exactly what the acclaimed UK fusion guitarist is capable of when he’s not having to consider pleasing play-list programmers. Cut live and raw at the Denmark Street’s miniscule haunt, this is a no-holds barred improvised session that owes as much to Jimi Hendrix’s fearsome Band of Gypsies as it does to Rémy’s mid-80s blowing bunch, Desperately Seeking Fusion. With the synergy, thrust and space inherent in the best power-trio structures, Rémy blasts off from a blues-based launch pad to explore the sonic fronteirs of inner space with a fire and determination not always previously obvious. - John Newey, Jazzwise Magazine
Tony names Hendrix and B.B. King among his influences and these are apparent here. The playing throughout is exemplary. If the idea of a live, all instrumental, jazz/rock/funk/blues jamming set appeals, then try to hear this, or better still, catch the Blue Vibe happening live. - Jon Taylor, Blueprint Magazine
Tony Rémy turns up the volume with a set of rough structured and inexhaustibly inventive power-blues jams. Includes a blistering version of Miles Davis’ Back Seat Betty. - Tower Records TOP magazine