Fans of Tony Remy's Metamorfollow-G album and those who have witnessed the Tony Remy Group live will already know just how itchy your feet can become. So infectious are the funky grooves that even the hardened jazz follower on his way to the bar has been known to make a detour to the dancefloor. How can we forget 300 excited people doing the pogo at Remy's shows in Cork...or the sell-out nights at Ronnie Scott's club in soho where, towards the end of the set, there wasn't one person left sitting, the need for physical expression was just too great, the waiting staff put down their trays and joined in.

Django Bates must have foreseen the event when he composed 'Dancing on Frith Street' several years before. Uncanny. Even I shook a leg...although I was quickly escorted out of the club by two tall men wearing suits. Anyway...suffice to say that I have been allowed to return...and you'll all be delighted to hear that Tony Remy has returned to the plush studios of ALLTONE to record a follow-up album to Metamorfollow-G.

First in the can is a stomping version of the George Duke classic "Brazilian love affair". Check back here soon for real audio soundbites.

I asked Tony what else we could expect to hear from him on the next album, to which he promptly and excitedly replied 'I'm not telling you ­ now go and fetch the coffee'. I made my way to a nearby, well-known American Coffee bar where, to my amazement, they were playing the original version of "Brazilian love affair". Uncanny. I shook a leg...and was quickly escorted out of the nearby, well-known American coffee bar by two Italian men wearing aprons.

You heard it here first.